Family
Survival
Coming of Age
Dog Fighting
Relationships
Loyal Dog
Absent Parent
Mentor
Power of Friendship
Power of Nature
Absent Father
Protective Older Brother
Struggle to Survive
Pregnant Teenager
About this ebook
Jesmyn Ward, two-time National Book Award winner and author of Sing, Unburied, Sing, delivers a gritty but tender novel about family and poverty in the days leading up to Hurricane Katrina.
A hurricane is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. A hard drinker, largely absent, he doesn't show concern for much else. Esch and her three brothers are stocking food, but there isn't much to save. Lately, Esch can't keep down what food she gets; she's fourteen and pregnant. Her brother Skeetah is sneaking scraps for his prized pitbull's new litter, dying one by one in the dirt. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting.
As the twelve days that make up the novel's framework yield to their dramatic conclusion, this unforgettable family--motherless children sacrificing for one another as they can, protecting and nurturing where love is scarce--pulls itself up to face another day. A big-hearted novel about familial love and community against all odds, and a wrenching look at the lonesome, brutal, and restrictive realities of rural poverty, Salvage the Bones is muscled with poetry, revelatory, and real.
Jesmyn Ward
JESMYN WARD received her MFA from the University of Michigan and is currently a professor of creative writing at Tulane University. She is the author of the novels Where the Line Bleeds and Salvage the Bones, which won the 2011 National Book Award, and Sing, Unburied, Sing, which won the 2017 National Book Award. She is also the editor of the anthology The Fire This Time and the author of the memoir Men We Reaped, which was a finalist for the National Book Critics Circle Award. From 2008 to 2010, Ward had a Stegner Fellowship at Stanford University. She was the John and Renée Grisham Writer in Residence at the University of Mississippi for the 2010–2011 academic year. In 2016, the American Academy of Arts and Letters selected Ward for the Strauss Living Award. She lives in Mississippi.
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Reviews for Salvage the Bones
924 ratings108 reviews
What our readers think
Readers find this title to be raw and rich, with impeccable writing and mesmerizing imagery. The book explores race relations in America and offers a sad yet compelling work of fiction. It provides a powerful and insightful portrayal of life in a bayou during Hurricane Katrina. Overall, this book is a wonderful and powerful read.
- Rating: 4 out of 5 stars4/5
Oct 28, 2019
Reading this book felt like riding waves. The protagonist/narrator has a heart clenched tight around her family. Even as everything around her fails and lets her down, they are knit into her very existence. The narrow days are matching steadily toward a storm, literal and figurative, and she is coping every way she knows how. This book is a snapshot, an imagining, a fight, a lesson, an admonishment. It asks questions that demand answers: What is family when it hurts you? What is government worth when it ignores pain? When destitution and poverty are the black inheritance (a forcible inheritance by us whites, I add), how can all of us hope to build a grounded future? - Rating: 5 out of 5 stars5/5
Apr 15, 2017
I finished this one last night, and I'm still digesting it, most likely will be for some time. This is a beautiful, brutal, heartbreaking portrait of rural, poverty-stricken Mississippi during the time leading up to, during, and following Hurricane Katrina. The hurricane itself is in the background for most of the book, which is really how she was until she came ashore with full force and destroyed the Mississippi gulf coast. The book is more about family, love, and loss, with a young 14-year-old pregnant girl at the center. It's not an easy read, with punches to the gut coming all too frequently, but it's beautiful and not to be missed. - Rating: 4 out of 5 stars4/5
Apr 15, 2017
Bloody hell. This is a tough, tough book to read - a poor black family in rural Louisiana somewhere scraping lives together in the shadow of the looming Hurricane Katrina. The writing is stunning - building dread and sadness throughout, bringing out the tough bonds forged between siblings and completely occupying the voice of Eche, the 14 year old narrator. Like the storm itself, Salvage the Bones builds and builds, slowly upping the tension, before exploding into a finale as ragged, breathless and overwhelming as the hurricane. - Rating: 4 out of 5 stars4/5
Apr 15, 2017
Powerful and poetic. Jesmyn Ward creates a vivid world of Southern poverty in the days leading up to and through Hurricane Katrina as seen through the eyes of a motherless fifteen-year-old African-American who has just found out she's pregnant. This is a story about the meaning of family and community. - Rating: 5 out of 5 stars5/5
Apr 15, 2017
This book left me stunned! - Rating: 5 out of 5 stars5/5
Apr 3, 2013
A superb novel, grim and desperate but also beautiful. Published for adults, but a story I can see some older teen readers appreciating. An example of Ward's stunning prose:
"I will tie the glass and stone with string, hang the shards above my bed, so that they will flash in the dark and tell the story of Katrina, the mother that swept into the Gulf and slaughtered. Her chariot was a storm so great and black the Greeks would say it was harnessed to dragons. She was the murderous mother who cut us to the bone but left us alive, left us naked and bewildered as wrinkled newborn babies, as blind puppies, as sun-starved newly hatched baby snakes. She left us a dark Gulf and salt-burned land. She left us to learn to crawl. She left us to salvage. Katrina is the mother we will remember until the next mother with large, merciless hands, committed to blood, comes." - Rating: 4 out of 5 stars4/5
Apr 2, 2013
I quite liked this NBA-winner. Ward is writing within a well-established genre and knows it, but she uses it well and honors her predecessors. What makes it such a moving, universal story to me is that essentially it's about vulnerability: of poverty, of gender, of hope and striving, of love itself. Beautifully told. - Rating: 4 out of 5 stars4/5
Apr 2, 2013
Beautiful and scary (not boo scary, more like tragic scary). A favorite of 2012. - Rating: 3 out of 5 stars3/5
Mar 31, 2013
The voice of a young girl age 15 in charge of caring for her alcoholic father and siblings because of the early death of her mother. She struggles to understand, make sense of and prepare for Hurricane Katerina and deal with her own pregnancy. She is intertwined with her brother's pit dog having a litter and losing some. Her own understanding of life is limited yet a part of her knows life is different in some places. She brings out controversial subjects of racism, alcoholic ism, teen pregnancy and more.
At times the character's voice seemed a bit mature for this little one, alas her life had been difficult. Minor editorial issues but a good read.A fiction writing based on actual events of Katrina. - Rating: 4 out of 5 stars4/5
Mar 25, 2013
This is a book about love, the love of a family for each other...a father's love for his children and his fight to keep them alive.The elder siblings love for their baby brother whose birth caused the death of their mother. The brother's love for his "special" dog which he has to sacrifice to save his sister and the love that the "mates" of the brothers have for each other. Yet it is the horrifying story of the family'.s ordeal during hurricane "Katrina" in Louisiana. They survive but are left with nothing and they didn't have much to begin with being "dirt poor" black people. In spite of this the book finishes on a note of hope as the "family" realise that they still have each other. - Rating: 3 out of 5 stars3/5
Jan 28, 2013
In Mississippi and in the path of Hurricane Katrina, a teenage girl named Esch has to deal with pregnancy, poverty, a fractured family, and in the end a deadly storm. Although this book is beautifully written, until the storm arrives nothing much happens. A National Book of the Year award winner. Appropriate for high school. - Rating: 3 out of 5 stars3/5
Jan 21, 2013
Hard time writing a review for this book it was so dark and the despair seemed to flow from the book. Just when the family would find gllimpses of light something else would come along to help knock the family back down. Despite all of that or maybe because of all that they had to go through the family bond was incediably strong and Esch and her brother's loyalty and determiniation to keep fighting was inspiring. - Rating: 4 out of 5 stars4/5
Jan 20, 2013
tough tale of impoverished family. With the death if their mother in childbirth and the decline of their father, the 3 kids have to do what it takes to survive. Despite all the hardships, they have heart and genuine love for each other. Beautifully written but harsh. Had trouble with the dog fight scenes. - Rating: 4 out of 5 stars4/5
Nov 15, 2012
I agree with the sentiment from some reviewers that the story of Esch and her brothers is "gritty and raw" but very realistic. The author did a great job at describing the depths of this family and continually points out to society that "family" does not depend on wealth to form strong, supportive attachments to one another. Family is family no matter who you are, what you do, what color you are, what assets you do or do not have. A very good read and I enjoyed it. - Rating: 4 out of 5 stars4/5
Sep 17, 2012
Esch is a young girl living on the Mississippi coastline with her brothers and their emotionally absent father. She misses her mother who died giving birth to her youngest brother and finds comfort in the tale of Medea, a greek antihero who avenges her husband's infidelity. As Esch navigates life seeking love however she can find it, she admires her older brother's tender nurturing of his dog China. The novel takes place in just twelve days leading up to Hurricane Katrina, and while I wanted desperately for the family to escape, the author demonstrates how circumstances absolutely prevented them from doing so. The style is just stunning, evoking memories of Zora Neale Hurston's Their Eyes Were Watching God. - Rating: 4 out of 5 stars4/5
Jun 30, 2012
Very well written, intense story about a very poor family in Louisiana in the days leading up to Hurricane Katrina. It was a tough book to read at times (especially with the dog fighting scenes) but it was very good--highly recommended. - Rating: 4 out of 5 stars4/5
Jun 10, 2012
Extremely brutal and gritty, but such a celebration of what a family is and how a family takes care of each other in less than ideal situations. Their mother dead, their father a drunk, the four siblings do their best to raise themselves and take care of each other. Their fighting pitbull China, is the focus of much of their attention as she has puppies that need to be tended to. The hurricane is coming, they are trying to stock food and water, and the tension mounts. When the hurricane comes, much is lost but the book ends on a note of hope, hope for a better tomorrow. - Rating: 3 out of 5 stars3/5
May 26, 2012
I read this because it was included in the Tournament of Books 2012. I enjoyed the book as a whole. Most stories involving Hurricane Katrina focuses on New Orleans, but Ward is unique in that she takes the reader into the rural poverty stricken areas. There were parts of the book that Ward could have done a little more research on. For example, she doesn't know how a tractor actually works, and the physical actions of the characters during the flood were not quite realistic. - Rating: 4 out of 5 stars4/5
May 12, 2012
Apocalyptic breakdown of a Mississippi family with Hurricane Katrina ominously offstage, and coming closer to wipe the slate clean. Beautifully and harrowingly evokes a poor Southern family and how they deal with hopelessness in different ways. Eerie echoes of the effects of other disasters like EQNZ. - Rating: 4 out of 5 stars4/5
Mar 29, 2012
I found it interesting that the most negative reviews for this novel have come from people that have trouble with the subject matter. It is as if the only books they want to read are pleasant subjects etc. Reviews should be more about the writing than the subject matter. In this case, I found this story well written. I felt this because of her great descriptions of the heat, the bugs, the dirt, etc. You really understand teenage pregnancy after reading this account. Even the petty crime that was committed made sense in the context of the characters' lives. Overall it was an excellent book. It dragged a little in the middle but ended up well. I will try and get hold of the her first book. - Rating: 1 out of 5 stars1/5
Mar 23, 2012
I did not like it at all. When I read, I want to be carried to a different place. The place that this book carried me was certainly different, but it was not at all pleasant. I felt absolutely dirty. - Rating: 4 out of 5 stars4/5
Jan 1, 2012
Well written, sometimes moving account of a poor black family's daily struggles 12 days before and directly after Hurricane Katrina. The story is told through a 12 year old girl, who has just learned that she is pregnant. I have read few novels recently that do a better job of getting you into the experience of being poor and black in the deep south. In this sense,it feels like a classic--a book that may be assigned some day to high school students as mandatory reading. Which may be my biggest criticism too--feels like a book that should be read to make you a better person. Nonetheless, this book will make it totally clear just how difficult it is to stage an effective response to a disaster like Katrina and why aiming such aid at the wealthy or even the middle class will be totally and utterly ineffective. This is a very talented young new voice. - Rating: 4 out of 5 stars4/5
Dec 5, 2011
This is the 53rd Natioal Book Award fiction prizewinner I have read. It tells of a motherless black family in Louisiana--A father who drinks too much, an 18 year old basketball aspirant, a 17 yeaar old who has a dog, China, and is about the most admirable person in the novel. a 16 year old girl who tells the story and has been promiscuous since she was 12 and early in the book finds she is pregnant, and Junior, about 5. Outside of an exciting dog fight the forepart of the book is not too memorable and there is too much unnecessary verbal obscenities. The final chapters find the family overwhelmed by Hurrican Katrina and is melodramatic. The ending chapters make the book somewhat of a success. - Rating: 4 out of 5 stars4/5
Oct 26, 2011
Jesmyn Ward has written a lyrical, compelling novel that I couldn't help but finish, even though the story was one I really didn't want to read. It wasn't that I want to hide from the ugly bits of life - there was just so much of it, in such a complacent, accepted way. Still, the characters were very authentic feeling and there were moments of hope and love hidden in the midst of problem after problem. I recommend it but not as a beach book, especially not as a beach book, given the hurricane part. - Rating: 4 out of 5 stars4/5
Oct 5, 2011
I was surprised to find that I enjoyed the novel, Salvage the Bones, as much as I did. The writing was excellent and the story itself elegant in its simplicity. It was a description of twelve days in the life of a poor southern family that just happened to coincide with the arrival and immediate aftermath of Hurricane Katrina. The narrator was an affecting 14 year old girl who just realized she was pregnant and she depicts her and her brothers' broken dreams through the birth of a litter of puppies bred for dog-fighting. - Rating: 3 out of 5 stars3/5
Sep 30, 2011
Salvage the Bones is a book that drew me in by the subject matter of a poor family leading up to and after hurricane Katrina. I found the narrator to be honest in her reality of being a fourteen year old pregnant girl. The family represented in the book was not so well drawn out seeming very two dimensional in their quests for drink, attention, and dog fighting. The writing at times was very lyrical but I found myself struggling to finish the book due to lack of characterization and subject matter. When Katrina did strike in the novel I did not care if the characters survived or not. - Rating: 3 out of 5 stars3/5
Sep 26, 2011
This book was an interesting look into the life of a poverty-stricken family in the week leading up to Katrina and how they tried to prepare their home in Bois Sauvage. The author is local so I would hope (and yet not hope - you'll understand why when you read) that she's created these fictional characters based on the truth she saw living down here. It definitely puts in perspective the amount of things and people lost in the hurricane. - Rating: 5 out of 5 stars5/5
Sep 24, 2011
I loved this book. Not to be cliche, but this author has a way with words and has a very poetic style. She provides great imagery and descriptions where other authors would have taken an easier route to say "the sky was blue". This is what separates her book from a piece of fiction and makes hers a piece of fiction literature. How she tells the story is great, but the story she tells is even greater. I fell in love with and felt empathetic for the characters in the story. Although we only spent 12 days with them, what we learned about them and their struggles, their victories, and how they constantly overcome defeat, covered more than 12 days. I liked how the author gave each character equal time in the light. Even China and her puppies were well developed characters and I felt they were significant to the plot. What I thought about most when reading this story was that these chracters were very young, all still teens, yet they were acting like adults and taking on adult roles because they had to. Yes, they were making some bad choices along the way but who was there to guide them to make better ones? Although they were good at protecting Jr they didn't understand him and thought he was being weird or boisterous when in fact he was being a normal young kid. Sadly, many kids today are in similar situations. Kids raising kids because while the parents are physically there they are still absent. Finally, I know all too well the aftermath of Katrina. The descriptions were very realistic. The author was spot on with this one. I look forward to future work from Ms. Ward. - Rating: 4 out of 5 stars4/5
Sep 23, 2011
Salvage the Bones isn't a book I would normally read so I am not sure why I requested it. At first glance it's what I call "current event fiction" a story about a family preparing for Hurricane Katrina and its aftermath. I don't like current event fiction: the stories tend to be incredibly sad and since we live in a 24 hour news society I never feel like I am getting new information or perspective from books of this nature. However, this book was so much better than I imagined. Katrina is just a chapter in what is really a story about four motherless children trying to live and dream in poverty while their depressed, alcoholic father tries to parent them in fits of sobriety. The children are really what make the book special. Jesymn Ward has written a beautiful novel that causes the reader to be still and listen to the very end. - Rating: 2 out of 5 stars2/5
Sep 19, 2011
There are some real poetic words of beauty and reflection amidst severe poverty and abuse in this novel. However, overall, it is a pretty grim look at poor choices people continue to make, and how it affects their lives, and just keeps continuing through generations. The protagonist is Esch, a 15-year-old pregnant girl who with very little emotion, has sex with all the neighborhood boys because "it's easier than not." There is one boy, Manny, she claims she loves, and that apparently is the father to her child. He is a big jerk and her brother's "best friend." The unreality is that Esch claims that she is so close to her brothers, Skeetah, Randall and Junior, but everyone knows this is going on and ignores it. The Father is a drunken mess who borders on abusive, but is mostly just pathetic and useless. The other core element is the rural world of Pit Bull fighting and Skeetah's relationship with his fighting dog, China, who gives birth to a litter of pups at the beginning of the novel. We are supposed to see that he has a love "like no other" for his dog (and this goes on and on and on - the love being compared to mythology, other people, etc.), yet he abuses her almost non stop to get her to "mind him" and "not forget." His desire is to make sure the pups don't die because they are worth $200 a piece. He fights China, even right after giving birth, to prove God knows what. That she is the toughest of all tough dogs? I guess it is a powerplay by the powerless, but it got really old. I see this all around in humane association work and it shed no new light on the problem, other than it destroys a lot of animals. It is merely thugs trying to look cool with their fighting dogs and make money off the puppies. I don't know, this novel did not work for me, although it was an easy, rather repetitive read. It had a drone-like quality. Apparently, this is also a book about hurricane Katrina, but that is tacked on at the end of the book and there is nothing much said there, other than people did not believe it was happening. And then it happend.
Book preview
Salvage the Bones - Jesmyn Ward
Ward
The First Day: Birth in a Bare-Bulb Place
China’s turned on herself. If I didn’t know, I would think she was trying to eat her paws. I would think that she was crazy. Which she is, in a way. Won’t let nobody touch her but Skeet. When she was a big-headed pit bull puppy, she stole all the shoes in the house, all our black tennis shoes Mama bought because they hide dirt and hold up until they’re beaten soft. Only Mama’s forgotten sandals, thin-heeled and tinted pink with so much red mud seeped into them, looked different. China hid them all under furniture, behind the toilet, stacked them in piles and slept on them. When the dog was old enough to run and trip down the steps on her own, she took the shoes outside, put them in shallow ditches under the house. She’d stand rigid as a pine when we tried to take them away from her. Now China is giving like she once took away, bestowing where she once stole. She is birthing puppies.
What China is doing is nothing like what Mama did when she had my youngest brother, Junior. Mama gave birth in the house she bore all of us in, here in this gap in the woods her father cleared and built on that we now call the Pit. Me, the only girl and the youngest at eight, was of no help, although Daddy said she told him she didn’t need any help. Daddy said that Randall and Skeetah and me came fast, that Mama had all of us in her bed, under her own bare burning bulb, so when it was time for Junior, she thought she could do the same. It didn’t work that way. Mama squatted, screamed toward the end. Junior came out purple and blue as a hydrangea: Mama’s last flower. She touched Junior just like that when Daddy held him over her: lightly with her fingertips, like she was afraid she’d knock the pollen from him, spoil the bloom. She said she didn’t want to go to the hospital. Daddy dragged her from the bed to his truck, trailing her blood, and we never saw her again.
What China is doing is fighting, like she was born to do. Fight our shoes, fight other dogs, fight these puppies that are reaching for the outside, blind and wet. China’s sweating and the boys are gleaming, and I can see Daddy through the window of the shed, his face shining like the flash of a fish under the water when the sun hit. It’s quiet. Heavy. Feels like it should be raining, but it isn’t. There are no stars, and the bare bulbs of the Pit burn.
Get out the doorway. You making her nervous.
Skeetah is Daddy’s copy: dark, short, and lean. His body knotted with ropy muscles. He is the second child, sixteen, but he is the first for China. She only has eyes for him.
She ain’t studying us,
Randall says. He is the oldest, seventeen. Taller than Daddy, but just as dark. He has narrow shoulders and eyes that look like they want to jump out of his head. People at school think he’s a nerd, but when he’s on the basketball court, he moves like a rabbit, all quick grace and long haunches. When Daddy is hunting, I always cheer for the rabbit.
She need room to breathe.
Skeetah’s hands slide over her fur, and he leans in to listen to her belly. She gotta relax.
Ain’t nothing about her relaxed.
Randall is standing at the side of the open doorway, holding the sheet that Skeetah has nailed up for a door. For the past week, Skeetah has been sleeping in the shed, waiting for the birth. Every night, I waited until he cut the light off, until I knew he was asleep, and I walked out of the back door to the shed, stood where I am standing now, to check on him. Every time, I found him asleep, his chest to her back. He curled around China like a fingernail around flesh.
I want to see.
Junior is hugging Randall’s legs, leaning in to see but without the courage to stick in more than his nose. China usually ignores the rest of us, and Junior usually ignores her. But he is seven, and he is curious. When the boy from Germaine brought his male pit bull to the Pit to mate with China three months ago, Junior squatted on an oil drum above the makeshift kennel, an old disconnected truck bed dug in the earth with chicken wire stretched over it, and watched. When the dogs got stuck, he circled his face with his arms, but still refused to move when I yelled at him to go in the house. He sucked on his arm and played with the dangling skin of his ear, like he does when he watches television, or before he falls to sleep. I asked him once why he does it, and all he would say is that it sounds like water.
Skeetah ignores Junior because he is focused on China like a man focuses on a woman when he feels that she is his, which China is. Randall doesn’t say anything but stretches his hand across the door to block Junior from entering.
No, Junior.
I put out my leg to complete the gate barring Junior from the dog, from the yellow string of mucus pooling to a puddle on the floor under China’s rear.
Let him see,
Daddy says. He old enough to know about that.
His is a voice in the darkness, orbiting the shed. He has a hammer in one hand, a clutch of nails in another. China hates him. I relax, but Randall doesn’t move and neither does Junior. Daddy spins away from us like a comet into the darkness. There is the sound of hammer hitting metal.
He makes her tense,
Skeetah says.
Maybe you need to help her push,
I say. Sometime I think that is what killed Mama. I can see her, chin to chest, straining to push Junior out, and Junior snagging on her insides, grabbing hold of what he caught on to try to stay inside her, but instead he pulled it out with him when he was born.
She don’t need no help pushing.
And China doesn’t. Her sides ripple. She snarls, her mouth a black line. Her eyes are red; the mucus runs pink. Everything about China tenses and there are a million marbles under her skin, and then she seems to be turning herself inside out. At her opening, I see a purplish red bulb. China is blooming.
If one of Daddy’s drinking buddies had asked what he’s doing tonight, he would’ve told them he’s fixing up for the hurricane. It’s summer, and when it’s summer, there’s always a hurricane coming or leaving here. Each pushes its way through the flat Gulf to the twenty-six-mile manmade Mississippi beach, where they knock against the old summer mansions with their slave galleys turned guesthouses before running over the bayou, through the pines, to lose wind, drip rain, and die in the north. Most don’t even hit us head-on anymore; most turn right to Florida or take a left for Texas, brush past and glance off us like a shirtsleeve. We ain’t had one come straight for us in years, time enough to forget how many jugs of water we need to fill, how many cans of sardines and potted meat we should stock, how many tubs of water we need. But on the radio that Daddy keeps playing in his parked truck, I heard them talking about it earlier today. How the forecasters said the tenth tropical depression had just dissipated in the Gulf but another one seems to be forming around Puerto Rico.
So today Daddy woke me up by hitting the wall outside me and Junior’s room.
Wake up! We got work to do.
Junior rolled over in his bed and curled into the wall. I sat up long enough to make Daddy think I was going to get up, and then I lay back down and drifted off. When I woke up two hours later, Daddy’s radio was running in his truck. Junior’s bed was empty, his blanket on the floor.
Junior, get the rest of them shine jugs.
Daddy, ain’t none under the house.
Outside the window, Daddy jabbed at the belly of the house with his can of beer. Junior tugged his shorts. Daddy gestured again, and Junior squatted and slithered under the house. The underside of the house didn’t scare him like it had always scared me when I was little. Junior disappeared between the cinder blocks holding up the house for afternoons, and would only come out when Skeetah threatened to send China under there after him. I asked Junior one time what he did under there, and all he would say is that he played. I imagined him digging sleeping holes like a dog would, laying on his back in the sandy red dirt and listening to our feet slide and push across floorboards.
Junior had a good arm, and bottles and cans rolled out from under the house like pool balls. They stopped when they hit the rusted-over cow bath Daddy had salvaged from the junkyard where he scraps metal. He’d brought it home for Junior’s birthday last year and told him to use it as a swimming pool.
Shoot,
Randall said. He was sitting on a chair under his homemade basketball goal, a rim he’d stolen from the county park and screwed into the trunk of a dead pine tree.
Ain’t nothing hit us in years. They don’t come this way no more. When I was little, they was always hitting us.
It was Manny. I stood at the edge of the bedroom window, not wanting him to see me. Manny threw a basketball from hand to hand. Seeing him broke the cocoon of my rib cage, and my heart unfurled to fly.
You act like you ancient—you only two years older than me. Like I don’t remember how they used to be,
Randall said as he caught the rebound and passed it back to Manny.
If anything hit us this summer, it’s going to blow down a few branches. News don’t know what they talking about.
Manny had black curly hair, black eyes, and white teeth, and his skin was the color of fresh-cut wood at the heart of a pine tree. Everytime somebody in Bois Sauvage get arrested, they always get the story wrong.
"That’s journalists. Weatherman’s a scientist," Randall said.
He ain’t shit.
From where I was, Manny looked like he was blushing, but I knew his face had broken out, tinged him red, and that the rest of it was the scar on his face.
Oh, one’s coming all right.
Daddy wiped his hand along the side of his truck.
Manny rolled his eyes and jerked his thumb at Daddy. He shot. Randall caught the ball and held it.
There ain’t even a tropical depression yet,
Randall said to Daddy, and you got Junior bowling with shine bottles.
Randall was right. Daddy usually filled a few jugs of water. Canned goods was the only kind of groceries Daddy knew how to make, so we were never short on Vienna sausages and potted meat. We ate Top Ramen every day: soupy, added hot dogs, drained the juice so it was spicy pasta; dry, it tasted like crackers. The last time we’d had a bad storm hit head-on, Mama was alive; after the storm, she’d barbecued all the meat left in the silent freezer so it wouldn’t spoil, and Skeetah ate so many hot sausage links he got sick. Randall and I had fought over the last pork chop, and Mama had pulled us apart while Daddy laughed about it, saying: She can hold her own. Told you she was going to be a little scrappy scrawny thing—built just like you.
This year’s different,
Daddy said as he sat on the back of his trunk. For a moment he looked not-drunk. News is right: every week it’s a new storm. Ain’t never been this bad.
Manny shot again, and Randall chased the ball.
Makes my bones hurt,
Daddy said. I can feel them coming.
I pulled my hair back in a ponytail. It was my one good thing, my odd thing, like a Doberman come out white: corkscrew curls, black, limp when wet but full as fistfuls of frayed rope when dry. Mama used to let me run around with it down, said it was some throwback trait, and since I got it, I might as well enjoy it. But I looked in the mirror and knew the rest of me wasn’t so remarkable: wide nose, dark skin, Mama’s slim, short frame with all the curves folded in so that I looked square. I changed my shirt and listened to them talking outside. The walls, thin and uninsulated, peeling from each other at the seams, made me feel like Manny could see me before I even stepped outside. Our high school English teacher, Ms. Dedeaux, gives us reading every summer. After my ninth-grade year, we read As I Lay Dying, and I made an A because I answered the hardest question right: Why does the young boy think his mother is a fish? This summer, after tenth grade, we are reading Edith Hamilton’s Mythology. The chapter I finished reading day before yesterday is called Eight Brief Tales of Lovers,
and it leads into the story of Jason and the Argonauts. I wondered if Medea felt this way before she walked out to meet Jason for the first time, like a hard wind come through her and set her to shaking. The insects singing as they ring the red dirt yard, the bouncing ball, Daddy’s blues coming from his truck radio, they all called me out the door.
China buries her face between her paws with her tail end in the air before the last push for the first puppy. She looks like she wants to flip over into a headstand, and I want to laugh, but I don’t. Blood oozes from her, and Skeetah crouches even closer to help her. China yanks her head up, and her eyes snap open along with her teeth.
Careful!
Randall says. Skeetah has startled her. He lays his hands on her and she rises. I went to my daddy’s Methodist church one time with my mama, even though she raised us Catholic, and this is what China moves like; like she has caught the ghost, like the holiest voice moves through her instead of Skeetah’s. I wonder if her body feels like it is in the grip of one giant hand that wrings her empty.
I see it!
Junior squeals.
The first puppy is big. It opens her and slides out in a stream of pink slime. Skeetah catches it, places it to the side on a pile of thin, ripped towels he has prepared. He wipes it.
Orange, like his daddy,
Skeetah says. This one’s going to be a killer.
The puppy is almost orange. He is really the color of the red earth after someone has dug in it to plant a field or pull up stones or put in a body. It is Mississippi red. The daddy was that color: he was short and looked like a big red muscle. He had chunks of skin and flesh crusted over to scabby sores from fighting. When he and China had sex, there was blood on their jaws, on her coat, and instead of loving, it looked like they were fighting. China’s skin is rippling like wind over water. The second puppy slides halfway out feet-first and hangs there.
Skeet,
Junior squeaks. He has one eye and his nose pressed against Randall’s leg, which he is hugging. He seems very dark and very small, and in the night gloom, I cannot see the color of his clothes.
Skeetah grabs the puppy’s rear, and his hand covers the entire torso. He pulls. China growls, and the puppy slides clear. He is pink. When Skeetah lays him on the mat and wipes him off, he is white with tiny black spots like watermelon seeds spit across his fur. His tongue protrudes through the tiny slit that is his mouth, and he looks like a flat cartoon dog. He is dead. Skeetah lets go of the towel and the puppy rolls, stiff as a bowling pin, across the padding to rest lightly against the red puppy, which is moving its legs in small fits, like blinks.
Shit, China.
Skeetah breathes. Another puppy is coming. This one slowly slides out headfirst; a lonely, hesitant diver. Big Henry, one of Randall’s friends, dives into the water at the river like that every time we go swimming: heavy and carefully, as if he is afraid his big body, with its whorls of muscle and fat, will hurt the water. And every time Big Henry does so, the other boys laugh at him. Manny is always the loudest of them all: his teeth white knives, his face golden red. The puppy lands in the cup of Skeetah’s palms. She is a patchwork of white and brown. She is moving, her head bobbing in imitation of her mother’s. Skeetah cleans the puppy. He kneels behind China, who growls. Yelps. Splits.
Even though Daddy’s truck was parked right beyond the front door and Junior hit me in my calf with a shine bottle, I looked at Manny first. He was holding the ball like an egg, with his fingertips, the way Randall says a good ball handler does. Manny could dribble on rocks. I had seen him in the rocky sand at the corner of the basketball court down at the park, him and Randall, dribbling and defending, dribbling and defending. The rocks made the ball ricochet between their legs like a rubber paddleball, unpredictable and wild, but they were so good they caught to dribble again nearly every time. They’d fall before they’d let the ball escape, dive to be cut by shells and small gray stones. Manny was holding the ball as tenderly as he would a pit puppy with pedigree papers. I wanted him to touch me that way.
Hey, Manny.
It was an asthma squeak. My neck felt hot, hotter than the day. Manny nodded at me, spun the ball on his pointer finger.
What’s up?
’Bout time,
Daddy said. Help your brother with them bottles.
I can’t fit under the house.
I swallowed the words.
I don’t want you to get them. I want you to rinse them.
He pulled a saw, brown with disuse, from his truck bed. I know we got some plywood somewhere around here.
I grabbed two of the nearest jugs and brought them to the faucet. I turned the knob and the water that burst out of the spigot was hot as boiling water. One of the jugs was caked with mud on the inside, so I let the water run through the top. When the water bubbled up at the rim, I shook the jugs to clear them. Manny and Randall whistled to each other, played ball, and others arrived: Big Henry and Marquise. I was surprised that they all came from other places, that one or two of them hadn’t emerged from the shed with Skeetah, or out of the patchy remains of Mother Lizbeth’s rotting house, which is the only other house in the clearing and which was originally my mama’s mother’s property. The boys always found places to sleep when they were too drunk or high or lazy to go home. The backseats of junk cars, the old RV Daddy bought for cheap from some man at a gas station in Germaine that only ran until he got it into the driveway, the front porch that Mama had made Daddy screen in when we were little. Daddy didn’t care, and after a while the Pit felt strange when they weren’t there, as empty as the fish tank, dry of water and fish, but filled with rocks and fake coral like I saw in Big Henry’s living room once.
What’s up, cousin?
Marquise asked.
I was wondering where y’all was. The Pit was feeling empty,
Randall said.
The water in the bottle I held was turning pink. I rocked on my feet with the sloshing, tried not to glance at Manny but did. He wasn’t looking at me; he was shaking Marquise’s hand, his wide, blunt fingers swallowing Marquise’s skinny brown hand almost to nothing. I set the bottle down clean, picked up the next, began again. My hair laid on my neck like the blankets my mother used to crochet, the ones we still piled on in the winter to keep warm and woke up under in the morning, sweating. A bottle of dishwashing liquid landed at my feet, slapping mud on my calves.
All the way clean,
Daddy said as he stalked off with a hammer in one hand. The soap made my hands slippery. Suds blanketed the mud. Junior quit searching for bottles and sat next to me, playing with bubbles.
Only reason Manny was up here so early was because he was trying to get away from Shaliyah.
Marquise stole the ball. Although he was smaller than Skeetah, he was almost as quick, and he dribbled to the raggedy hoop. Big Henry winked at Manny and laughed. Manny’s face was smooth and only his body spoke: his muscles jabbered like chickens. He spread himself over Marquise, guarding him from the goal, and Randall clapped his hands at the edge of the beaten dirt court, waiting for Manny to steal and pass the ball. Big Henry shouldered against him, guarding. He was almost as tall as Randall but much wider, graceful and light as a spinning top. It was a real game now.
The crack of the bottle I was shaking sounded like change clattering in a loose fist. The bottle shattered, and the glass fragmented, slid along my palms. I dropped what I held.
Move, Junior!
I said. My hands, which moments before had been pink, were red. Especially the left. I’m bleeding!
I said under my breath. I didn’t yell; I wanted Manny to see me, but not as a weak, sorry girl. Not something to be pitied because I couldn’t take pain like a boy. Randall caught Manny’s rebound and walked over to me as I kneeled, my left hand under the faucet, a ribbon of red making for the mud at my feet. He threw the ball backward. The cut was the size of a quarter, bleeding steadily.
Let me see.
He pushed around the wound, and it pulsed blood. I felt sick to my stomach. You got to push on it until it stops bleeding.
He put my thumb, which had been stopping the head of the bottle, over the cut. You push,
he said. My hands are too dirty. Until it stops hurting.
It was always what Mama told us to do when we went running to her with a cut or a scrape. She would push and blow at the wound after putting alcohol on it, and when she’d stopped blowing, it wouldn’t hurt anymore. There. See? Like it never happened.
Manny was throwing the ball back and forth with Marquise so quickly it sounded like the fast beat of a drum. He glanced over at Randall kneeling over me; his face was even redder than it usually is, but then he hissed like he always does when he’s playing basketball, and I knew he was excited, not concerned. You got to push … until it stops hurting. My stomach tilted. Randall squeezed once more and stood, and the glimpse I saw of Mama in his mouth when he’d told me to push was gone. Manny looked away.
China’s next puppy is black-and-white. The white circles his neck before curling away from his head and across his shoulder. The rest of him is black. He jerks and mewls as Skeetah lays him on the blanket, clean. His mewl is loud, makes itself heard among the crickets; and he is the loudest Mardi Gras dancing Indian, wearing a white headdress, shouting and dancing through the pitted streets of the sunken city. I want him because he comes out of China chanting and singing like the New Orleans Indians, like the Indians that gave me my hair, but I don’t think Skeetah will give him to me. He is worth too much money. His bloodline is good. China is known among the pit bulls in Bois Sauvage for locking on to dogs and making them cur. She pulls tendons from necks. The daddy dog from Germaine, a few towns over, is equally fierce. Rico, his owner and Manny’s cousin, makes so much money fighting him he only has a part-time job as a mechanic at an oil change shop, and he spends the rest of his time driving his dog in his pickup truck to illegal dogfights set back in the woods.
I wish he was all black,
Skeetah says.
I don’t care,
I say in return to Skeetah, to everyone, to the dogs multiplying in the shed, but no one hears me over China. She yelps. She sounds like I do when I let go of the swinging rope that hangs from the tall tree over Wolf River: terrified and elated. Her clipped ears curl forward. The puppy slides from her. It looks yellow, streaked with black, but when Skeetah wipes it off, the black vanishes.
Blood look black at night,
Randall says.
The puppy is pure white. She is her mother in miniature. But while her mother moans, she is silent. Skeetah bends over her. The other puppies are opening their jaws, twitching legs. We’re all sweating so badly we look like we just ran into the shed from a hard, heavy summer rain. But Skeet is shaking his head, and I don’t know if it’s all sweat or if he’s crying. He blinks. He scrapes his pointer over the pure white skull, down the puppy’s chest and her belly. Her mouth opens and her belly inflates. She is her mother’s daughter. She is a fighter. She breathes.
I tied the strip of an old rag around my hand and kept washing until I had all the glass bottles lined up on the wall inside the kitchen. Junior had run off into the woods surrounding the house after declaring that he was going to hunt armadillos. The boys had finished playing basketball; Big Henry pulled the old Caprice his mama had bought him for his sixteenth birthday into the yard next to the house after drinking from the faucet, wetting his head, and shaking it like a wet dog to make me laugh. Randall and Manny were arguing about the game. Marquise was lying on the hood in the shade of the oak trees, smoking a cigar. Big Henry only has two six-by-nine speakers that work because he blew his amp and his bass, so their talk was louder than the music. I picked up the jug I broke and put the shards in an old half of a garbage can lid. I knelt and stared for glass, wondered if I could find the piece that had cut me. When I finished, I walked toward the back of the property, the woods. My eyes wanted to search for Manny so badly the want felt like an itch on my temple, but I kept walking.
My mama’s mother, Mother Lizbeth, and her daddy, Papa Joseph, originally owned all this land: around fifteen acres in all. It was Papa Joseph nicknamed it all the Pit, Papa Joseph who let the white men he work with dig for clay that they used to lay the foundation for houses, let them excavate the side of a hill in a clearing near the back of the property where he used to plant corn for feed. Papa Joseph let them take all the dirt they wanted until their digging had created a cliff over a dry lake in the backyard, and the small stream that had run around and down the hill had diverted and pooled into the dry